The two sopranos are nicely contrasted, the purity of Fiona Fraser with the more operatic (in a good way) Lucy Cox. - Edinburgh Music Review 2022, Brian Bannatyne-Scott on Sansara's Lammermuir performance
What an extraordinary experience it was to hear these beautiful arias sung by the exceptionally talented soprano Lucy Cox, whose angelic voice ascended to the heights of the Cathedral’s ceiling. Cox has one of the most beautiful, pure soprano voices I’ve ever heard live. - Quaere Living 2022, Catherine Flutsch reviewing Florid Sentiments with IT&T, Christ Church Cathedral. https://www.quaereliving.com/post/florid-sentiments-instruments-of-time-and-truth
While enjoying all the voices, which were nicely individual but blended particularly well, I found the two sopranos, Caroline Halls and Lucy Cox, exceptional. Very well contrasted but retaining high quality sound, they both put over the gorgeous top notes of the ensemble to perfection. - Edinburgh Music Review, 27 September 2021
Lucy Cox’s shining soprano, heightened by vivid instrumental dialogues, conveyed the almost ecstatic intensity of ‘Zerfließe, mein Herze, in Fluten der Zähren’ - Opera Today, April 2021
Glorious soprano soloist Lucinda Cox... proves that one doesn't have to have stick-straight tone production for stylistically accurate and beautiful baroque singing...
The Journal for the Association of Anglican Musicians, April 2021
Lucinda Cox’s vocals proved to be outstanding, clear and soaring - British Music Society, April 2020
Lucinda Cox immediately hit the vocal ceiling with splendorous sound to bring us into an untrammelled new world and filling the building without a semblance of forcing power
Brighton and Hove Independent, November 2019
Charlotte Ashley and Lucinda Cox impressed throughout weaving a gorgeous, transparent layer of sound at the top.
Classical Source, November 2019
Lucinda Cox, soprano, (Gabriel and Eve) sang with such beauty of tone and range, fully exploiting the generous acoustic of the church and always demanding the attention of the rapt audience. - Ashtead Choral, April 2019
In the encore, soprano Lucy Cox gave an entrancing performance of the solo in Charles Stanford’s The Blue Bird.
Sounds Like Sydney - September 2017
What an extraordinary experience it was to hear these beautiful arias sung by the exceptionally talented soprano Lucy Cox, whose angelic voice ascended to the heights of the Cathedral’s ceiling. Cox has one of the most beautiful, pure soprano voices I’ve ever heard live. - Quaere Living 2022, Catherine Flutsch reviewing Florid Sentiments with IT&T, Christ Church Cathedral. https://www.quaereliving.com/post/florid-sentiments-instruments-of-time-and-truth
While enjoying all the voices, which were nicely individual but blended particularly well, I found the two sopranos, Caroline Halls and Lucy Cox, exceptional. Very well contrasted but retaining high quality sound, they both put over the gorgeous top notes of the ensemble to perfection. - Edinburgh Music Review, 27 September 2021
Lucy Cox’s shining soprano, heightened by vivid instrumental dialogues, conveyed the almost ecstatic intensity of ‘Zerfließe, mein Herze, in Fluten der Zähren’ - Opera Today, April 2021
Glorious soprano soloist Lucinda Cox... proves that one doesn't have to have stick-straight tone production for stylistically accurate and beautiful baroque singing...
The Journal for the Association of Anglican Musicians, April 2021
Lucinda Cox’s vocals proved to be outstanding, clear and soaring - British Music Society, April 2020
Lucinda Cox immediately hit the vocal ceiling with splendorous sound to bring us into an untrammelled new world and filling the building without a semblance of forcing power
Brighton and Hove Independent, November 2019
Charlotte Ashley and Lucinda Cox impressed throughout weaving a gorgeous, transparent layer of sound at the top.
Classical Source, November 2019
Lucinda Cox, soprano, (Gabriel and Eve) sang with such beauty of tone and range, fully exploiting the generous acoustic of the church and always demanding the attention of the rapt audience. - Ashtead Choral, April 2019
In the encore, soprano Lucy Cox gave an entrancing performance of the solo in Charles Stanford’s The Blue Bird.
Sounds Like Sydney - September 2017
