Lucy Cox’s shining soprano, heightened by vivid instrumental dialogues, conveyed the almost ecstatic intensity of ‘Zerfließe, mein Herze, in Fluten der Zähren’ - Opera Today, April 2021
Glorious soprano soloist Lucinda Cox... proves that one doesn't have to have stick-straight tone production for stylistically accurate and beautiful baroque singing...
The Journal for the Association of Anglican Musicians, April 2021
Lucinda Cox’s vocals proved to be outstanding, clear and soaring - British Music Society, April 2020
Lucinda Cox immediately hit the vocal ceiling with splendorous sound to bring us into an untrammelled new world and filling the building without a semblance of forcing power
Brighton and Hove Independent, November 2019
Charlotte Ashley and Lucinda Cox impressed throughout weaving a gorgeous, transparent layer of sound at the top.
Classical Source, November 2019
Lucinda Cox, soprano, (Gabriel and Eve) sang with such beauty of tone and range, fully exploiting the generous acoustic of the church and always demanding the attention of the rapt audience. - Ashtead Choral, April 2019
In the encore, soprano Lucy Cox gave an entrancing performance of the solo in Charles Stanford’s The Blue Bird.
Sounds Like Sydney - September 2017
Glorious soprano soloist Lucinda Cox... proves that one doesn't have to have stick-straight tone production for stylistically accurate and beautiful baroque singing...
The Journal for the Association of Anglican Musicians, April 2021
Lucinda Cox’s vocals proved to be outstanding, clear and soaring - British Music Society, April 2020
Lucinda Cox immediately hit the vocal ceiling with splendorous sound to bring us into an untrammelled new world and filling the building without a semblance of forcing power
Brighton and Hove Independent, November 2019
Charlotte Ashley and Lucinda Cox impressed throughout weaving a gorgeous, transparent layer of sound at the top.
Classical Source, November 2019
Lucinda Cox, soprano, (Gabriel and Eve) sang with such beauty of tone and range, fully exploiting the generous acoustic of the church and always demanding the attention of the rapt audience. - Ashtead Choral, April 2019
In the encore, soprano Lucy Cox gave an entrancing performance of the solo in Charles Stanford’s The Blue Bird.
Sounds Like Sydney - September 2017
