Lucinda Cox - Soprano
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While enjoying all the voices, which were nicely individual but blended particularly well, I found the two sopranos, Caroline Halls and Lucy Cox, exceptional. Very well contrasted but retaining high quality sound, they both put over the gorgeous top notes of the ensemble to perfection. - Edinburgh Music Review, 27 September 2021

Lucy Cox’s shining soprano, heightened by vivid instrumental dialogues, conveyed the almost ecstatic intensity of ‘Zerfließe, mein Herze, in Fluten der Zähren’ - Opera Today, April 2021

Glorious soprano soloist Lucinda Cox... proves that one doesn't have to have stick-straight tone production for stylistically accurate and beautiful baroque singing...
The Journal for the Association of Anglican Musicians, April 2021


Lucinda Cox’s vocals proved to be outstanding, clear and soaring - British Music Society, April 2020


Lucinda Cox immediately hit the vocal ceiling with splendorous sound to bring us into an untrammelled new world and filling the building without a semblance of forcing power
Brighton and Hove Independent, November 2019

Charlotte Ashley and Lucinda Cox impressed throughout weaving a gorgeous, transparent layer of sound at the top.
Classical Source, November 2019


Lucinda Cox, soprano, (Gabriel and Eve) sang with such beauty of tone and range, fully exploiting the generous acoustic of the church and always demanding the attention of the rapt audience. - Ashtead Choral, April 2019

In the encore, soprano Lucy Cox gave an entrancing performance of the solo in Charles Stanford’s The Blue Bird.
Sounds Like Sydney - September 2017




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